Pen and Moon

musings, life lessons & poetry from Theresa Jarosz Alberti

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Me and Jada Pinkett Smith

I never really thought me and Jada Pinkett Smith had much in common, outside of us both being married to funny, charming, smart and good-looking guys (lucky us!).  But recently, I came across articles about her 12 year old daughter Willow getting a colorful buzz cut and the reaction the media was having towards the haircut, but also their reaction towards Jada-as-Mom, in essence:  “how could you let your daughter do that to herself?”

Here was Jada’s response:

“The question why I would LET Willow cut her hair. First the LET must be challenged. This is a world where women, girls are constantly reminded that they don’t belong to themselves; that their bodies are not their own, nor their power or self-determination. I made a promise to endow my little girl with the power to always know that her body, spirit and her mind are HER domain.

“Willow cut her hair because her beauty, her value, her worth is not measured by the length of her hair. It’s also a statement that claims that even little girls have the RIGHT to own themselves and should not be a slave to even their mother’s deepest insecurities, hopes and desires. Even little girls should not be a slave to the preconceived ideas of what a culture believes a little girl should be.”

WOW.  That one hit me right in the heart.  An audience inside me started clapping and stomping and shouting “yeah!”  I have not always been so strong, but it was apparent to me that me and Jada had something very deep in common.

As parents of young kids, it doesn’t take long to be confronted with the concept that your child is an individual unto themselves.  Sure, as babies they almost seem to be an extension of ourselves, doughy bodies that have basic needs and could really care less whether you dress them in Baby Dior or garage sale hand-me-downs.  They can be just as happy with a pot and a wooden spoon as with some fancy plastic toy.  They don’t have real preferences outside of physical and emotional comfort.

But sometime as they near the two-year mark, they begin to get it themselves. The “hey! I’m a person, and I want that!”-notion that heralds the phase known as the Terrible Twos.  The kids get it long before the tired parents do.  It’s not terribly convenient when your child starts expressing themself.  Aw, why can’t you just go along with what I say… I’m older and I know better, and it’ll be faster and go more smoothly…  But no go, sorry!  Remember, your toddler’s favorite new word is NO.

I had my own Jada-moment when my daughter was 2 or 3 years old.  She started wanting to dress herself, and we’d be getting ready for pre-school and I’d see her come out dressed in some eclectic ensemble—her pretty purple flowered dress with plaid pants and a red-and-white striped headband and dirty canvas shoes.  Oh dear, I’d think.  I don’t remember if I got it right away, or if I tried to coax her into choosing something different, like “Your pink tights would look so pretty with that dress, are you sure you don’t want to change?”

What I do remember is that fairly quickly, I realized I had a choice to make:  I could try to force my daughter to wear what I wanted her to wear, by using shame or my authority to make her do it.  Or I could let go and let her wear what made her happy, to have her own self-expression.  What were my values here?

Sure, some part of me wanted to bring my pretty little girl out into the world in a pretty little outfit.  As Jada put it, making her a slave to her mother’s deepest insecurities, hopes and desires.  That part was all about me, and how I wanted the world to see my daughter, and see me as her mother.  But stronger than that was my deep desire that she have “the power to always know that her body, spirit and her mind are HER domain.”

I wanted her to be MORE than my own petty wish to have her be pretty.  I wanted her to be MORE than how the culture tells us girls need to look and act and be.   I wanted the same for my boys, too—for them to know that it’s okay to be themselves, no matter how they choose to be.  But I identified with my daughter more, having an urge to make her be seen how I wanted her to be seen.

My daughter is now 21, and she’s grown to be a young woman with a strong sense of self.  I can’t say I was perfect in mothering her and keeping my issues from butting in—she is usually pretty good about pointing it out when I’ve crossed boundaries.  Just as I know she’s learned a lot from me, I’ve learned a lot from her too.  I’m so glad we’ve managed to push away a lot of the cultural messages about girls and women, or to have more awareness about them when we do get bogged down.

I applaud Jada Pinkett Smith for standing up for her daughter, and stating so clearly the pitfalls of how we and society handle our daughters.  She’s had to live out her parenting choices on the world’s stage—I just hope the world can listen and hear this truth.  For the sake of ourselves, our daughters, and all the girls to come.

 

 

It’s November… Why Not Write a Novel?

Have you heard?  November is National Novel Writing Month, or NaNoWriMo, as it’s affectionately nicknamed.  Writers around the world sign up on the Nanowrimo website (http://nanowrimo.org), pledging to write a 50,000 word novel draft in a month.  This year more than 250,000 people have signed up for the task.

I first heard about Nanowrimo in 2003.  I had joined a supportive online community called Momwriters  full of so many brilliant, creative women.  As summer came to an end that year, the group started chattering about National Novel Writing Month—there was much excitement about who was going to give it a try, and what they would write about.

It sounded fun… and crazy.  In my mind, that’s often a good mix.  I’d been in a writing class recently, creating a character that I really liked.  I could try writing my novel about him.  So I signed up, not really knowing what I was getting myself into.  Like a good researcher, I combed the website for details and advice, and found that there were regional forums, and a good one for the Twin Cities.  The local people were excited about write-ins and parties.  I quickly caught on—Nanowrimo wasn’t just about the personal challenge of writing; it was a community event.  Writers who so desire get together throughout the month to work on their novels at cafes or other meeting places, sitting at tables with laptops (or occasionally, notebooks and pens)—these are the write-ins.  There’s a Kick-Off Party before the month starts so people can meet, socialize and talk shop, and there’s a TGIO Party (Thank God It’s Over) after November 30th to celebrate or commiserate.  This social aspect really appealed to me.  I like to say, Nanowrimo makes writing a team-sport for one month of the year—a nice change from the usual sitting-quietly-in-a-room-by-oneself that most writers do.

We had a ML—a Municipal Liaison, which is Nanowrimo’s term for volunteer who’s in charge of the region.  Our ML at the time was Zan, an enthusiastic and fun red-head who planned the parties, visited us at write-ins and handed out the spiffy Nano stickers that the organization sent to regions.  (Zan was her screen name–  we all choose screen names, so often we know each other by whatever wacky or not-so-wacky name we came up with.  Mine is Sapphirestar.)

It was definitely a challenge to write a novel that month.  To make it to 50,000 words, you should shoot for writing 1,667 words a day, which is about 5-7 double-spaced pages.  Back then my kids were ages 12 and 9, and everybody knew I was trying to write a lot.  They were supportive, understanding about me wanting to go to write-ins when I could, cheering me on when I was rushing to make my goal that last day of November.  It was such a great feeling that I really accomplished it, having a novel draft a lot further along than I ever thought I would in such a short time frame.

Since 2003, I’ve participated in Nanowrimo every year, which makes this year my 10thSo far, I’ve hit my 50K goal seven times, and fell short of the mark two times.  Over the years, I’ve made many Nano friends—there are some that I only see every November, and two friends that I’ve met through Nano have become “besties” I talk to and see often.  That’s been one of the many great gifts I’ve received from doing this.

I’ve also:  been a co-ML for six years after Zan stepped down, taught classes with a friend on how to do Nanowrimo, been interviewed several times about this strange writing phenomenon for print, radio and video media, and had a chance to meet and talk to Nanowrimo founder Chris Baty, who started all this in 1999 by deciding to write a novel in a month and finding 20 friends to do the same.  He’s hilarious, humble and adorable.

This year, I’m not sure I’ll make it to 50,000 words.  It’s been a tough time with a family crisis, a trip, and lots of time spent helping my son who’s a senior in high school to meet deadlines.  I haven’t been able to attend more than a few write-ins.  But I’m committed to continuing to write this novel, even if it’s only a little at a time.  Nanowrimo is still inspiring me, and I’m still a part of it.  I’m encouraged to know that many Nano novels have been published, including Sara Gruen’s “Water for Elephants” (now a major motion picture) and Erin Morgenstern’s  “The Night Circus”  (soon to be a major motion picture).

As Thanksgiving looms, Nanowrimo is one of the many things I’m grateful for.  Thanks for being such a fun, creative, big-hearted cheerleader of an organization.  This writer saluted you!

The Price of Beauty… (Cheap & Natural, For Once)

This weekend, I spent several hours with mud on my head.  Well, to be honest, it’s henna, which looks and feels like green mud, and smells like fresh hay.  I do this every few months.  Call me crazy, but I’m in love with henna—  it gives my brown hair slightly reddish tones; turns all my white hairs to red; is non-toxic, as opposed to commercial hair dyes; is cheap; is an easy do-it-yourself project; and it actually strengthens and protects hair, making it healthy and shiny.

I’ve been using henna for many years now, ever since Continue reading

First Impressions… Completely Dashed

After seeing a movie with a friend, I went to a café on Saturday night.  A band was playing and the place was crowded, so while S went to the restroom, I scouted out a place for us to sit.  I found two spots on a couch in the back if we sat next to the guy currently there, so I took a seat.

The man was sitting on his end, a figure in black leather and chains.  Maybe he was a metal or punk type, with his boots, piercings, fingerless gloves, red hair pulled back into a dreadlock-like ponytail, with other strings hanging off it.  He was hunched over, and I couldn’t tell how old he was at first.  He looked tough.

Then I looked over and glimpsed what he was doing:  he had a large pad of paper on his lap and was working on a line-drawing with a pen, covering the page with intricate and elaborate black lines, some kind of dark gothic fantasy art (I would soon learn it was an homage to H.P. Lovecraft) with tiny skulls and bodies and trees and creatures and such, all painstakingly woven together in one cohesive piece. I wish I was better at describing his style of art… it’s difficult to tell you just how cool it was.  I wanted to keep looking and studying all the details.  And I felt the urge to say something to him. And yet..

He looked unapproachable, toughened, closed.  He might just grunt or growl or ignore me.  Oh well, I decided to risk it anyway.  Now I could see he was young, in his 20s, so I said, “I just have to tell you that that is amazing.  Are you an art student?”

It was then that the castle walls of my stereotypes and pre-judgments came crashing down.  He turned to look at me with his deep blue eyes and smiled, and then I could see the vulnerable soul sitting next to me, a puppy dog of a man-boy hiding behind his appearance.  He told me no, he wasn’t an art student but wished he could afford to go to art school, and then introduced himself to me and shook my hand.  That was the beginning of a sweet 30-minute conversation with W, who was 24, taking occasional classes at a community college, living alone and probably lonely, and coming to this café to draw now and then.

My friend S came over to sit with us, and since she’s an artist as well, I knew the conversation would be good with all the back-and-forths of shop talk.  We gave him tips and resources for free artist workshops and sketching groups around town, and he eagerly pulled out his big portfolio, which had a lot of  impressive gothic fantasy art, and some pieces dating back to 8th grade and high school, other styles as well, some color pencil drawings, scenes and faces.  He was very talented, and it wasn’t hard to compliment his work.

When we left, we wished him luck and gave him encouragement… he’d said he came to this café often to draw, so maybe we’d see him there sometime.  W returned to his drawing.

And me?  I was left with this wonderful sensation of a prejudice/judgment/myth shattering around me.  I’d had to leap over something to take the chance to speak to that tough-looking guy, taking a chance and then getting to receive something so simple–  an unexpected, sweet conversation, and a connection with a tender soul just wanting to make something amazing. I’m glad I leapt.

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